• title card: Death on The Slipway superimposed on a darkened view of a slipway
  • Kolchek in closeup
  • Steed questions Liz
  • One-Ten answers the 'phone
  • Publicity still: Steed descends the slipway stairs
  • Liz, Jack and Geordie peer through the wire mesh

Series 1 - Episode 17
Death on the Slipway

by James Mitchell

Production completed: 22 June 1961. First transmission: 24 June 1961

This episode summary is written from the published synopses, other previously published material and Leonard White's scrapbook of notes and Tele-Snaps as this episode is now lost. There may have been changes made during filming. I have made a few assumptions, marked with footnotes, to try to explain gaps and plot holes. My breaks in the acts are based on when significant cliff-hanger events happen and may not be completely accurate.

Act I

Late at night at a naval shipyard, all is quiet and the gantries and slipways deserted. A flicker of light in one of the offices, where we find the Eastern Bloc spy Kolchek (Peter Arne) spinning the dials of a safe he's cracking. Behind him the shipyard personnel manager, Fleming (Sean Sullivan), holds a torch so Kolchek can see what he's doing. The tumblers spin and click and the safe is open. Kolchek reaches in and finds the plans for a new nuclear submarine; he removes them from the safe, satisfied he has what he wants. They turn to go but there's a faint noise in the yard and they realise a shadowy figure is approaching. They quickly scale a ladder to hide amongst the machinery and when the watcher comes around the ladder to investigate the area, Kolchek reaches down from his hiding place and strangles the man before throwing him down onto the slipway below, hoping the tide will take the body away.

The next day, Steed visits Dr Keel, who is dealing with an irritating elderly patient (Gordon Phillott)1. The phone rings and Keel grabs it, hoping for a reason to escape his tiresome patient, but when he hears One-Ten's voice, he hands it over to Steed. One-Ten tells him his agent, who was undercover as a shipwright at the yard, has not reported in and he's to visit Sir William Bonner at the yard to investigate.

When Steed arrives at the shipyard, Sir William (Frank Thornton) is deep in an embrace with his assistant, Liz Wells (Nyree Dawn Porter), kissing her deeply. They hastily break off their kiss when Steed knocks on the door; he enters and introduces himself as a metallurgist come to check the submarine's quality and progress so Sir William takes him on a tour of the yard. They return to the office where Sam Pearson and his assistant, Pardoe, (Paul Dawkins and Garry Watson respectively) are discussing the submarine. Steed asks a couple questions of the assembled company. He casually asks about people working at the shipyard, hoping to learn about the missing agent, and raises the suspicions of Liz, who thinks he's too curious about matters other than the material build of the submarine's hull.

At about the same time, two of the ship builders notice something lying beside the submarine on the slipway. Geordie (Redmond Bailey) makes Jack (Robert G. Bahey) reach down with a boathook2 and they discover that it's the body of the missing agent.

Act II

Kolchek is in Fleming's office, telling him he wants more information and discussing how they're going to escape detection now that the police have arrived. Kolchek warns Fleming not to talk, they have enough dirt on him to put him away for life. Inspector Georgeson (Barry Keegan) arrives with several policemen and searches the shipyard. Steed reveals himself to be an undercover agent3 and joins their investigation. They interview the operations manager Sam Pearson about security at the yard and Georgeson discovers the safe in the office has been tampered with and documents are missing. Kolchek meanwhile has realised who Steed is - they had previously crossed paths and he's sure to recognise him - and lays a trap for him, hoisting a 44 gallon drum above a gangway.

Fearing she has made a terrible mistake in her past, Liz goes to Sir William, trying to find out more about Steed but Sir William is unable to tell her anything, no matter how coquettishly she acts. Giving in to her charms, he finally tells her the details of Steed's hotel room. Out in the yard, Kolchek makes his attempt on Steed's life but the wily agent dives out if the way just in time and the drum fails to kill him. Kolchek, wearing a stocking over his head as a disguise, leaps down from the gantry and tries to strangle Steed but our hero fights him off and Kolchek disappears into the gloom of the shipyard, removing the stocking to evade detection. Steed returns to the office and telephones One-Ten to tell him of the attempt on his life, smiling grimly as he reports that the enemy has been flushed out by his investigation.

That evening, Liz arrives at Steed's hotel and breaks into his room, unaware that she passed him in the lobby as he was in a casual polo shirt rather than his usual suit4. She's searching his suitcase when he returns and confronts her. He thinks she's involved in the espionage but she tearfully confesses that before Sir William, Fleming had been her lover. A year ago he had struck a child in a drunken hit-and-run and the child had died; she had though Steed was a private detective come to investigate and have him arrested. Steed has an epiphany and realises that Fleming is the weak link at the shipyard - he is being blackmailed to assist the Soviet spies.

Kolchek meanwhile5 decides that as he can't get all he wants now Steed is at the shipyard, his best course of action is to set off a bomb. He orders Fleming to plant the bomb, saying it will cause a distraction so they can escape. He tells Fleming to hide it inside his briefcase or he'll go to the police about the hit and run.

Act III

The next morning, P.C. Geary (Patrick Connor) reluctantly lets Fleming into the secured area of the submarine bay where Fleming then hides the briefcase in the shelves of equipment and tools6, unaware that Kolcheck has betrayed him anyway - the bomb will not be a mere distraction but will in fact destroy the entire shipyard. Steed has theorised that something like this was going to happen and is already searching through the pipes and piles of steel plating that will become part of the submarine, but finds nothing.

Liz goes to Fleming's office to confront him and finds Kolchek there instead. Kolchek chats to her amiably for a while but when she tries to leaves he grabs her wrists and forces her into a closet, locking her inside. Fleming meanwhile leaves the secure section but P.C. Geary notices he no longer has his briefcase and is nervously dabbing at his mouth with a handkerchief when trying to explain what he did with it, so Geary arrests him.

Pearson's assistant, Pardoe (Gary Watson) has heard strange noises coming from Fleming's office and goes to investigate but he's knocked out by Kolchek who then makes his escape. Steed and Georgeson question Fleming and they're joined by a Ministry of Defence official called Chandler (Billy Milton)7. Learning where the briefcase has been hidden, Steed goes to retrieve it while the others go to confront Kolchek in Fleming's office. Steed finds the suitcase about the same time the others find the unconscious Pardoe and free Liz from the closet.

Steed gingerly moves the briefcase, afraid that the ticking device inside is going to go off at any moment. At the entrance to the secure section, Georgeson, PC Geary and Sergeant Brodie (Hamilton Dyce) secure the gate and they're all wondering why Steed hasn't come back out yet - but at that moment Kolchek, who has decided the glorious victory of the Motherland comes before his own survival8, has appeared and pulled a gun on Steed, stopping him from disarming the bomb. Kolchek warily motions for him to move away from the bomb - but Steed picks it up and throws it over the end of the slipway. It explodes after going beneath the surface, throwing up an enormous torrent of seawater. Furiously, Kolchek brings his gun to bear on Steed and pulls the trigger - just as Fleming rushes in, and Fleming takes the bullet meant for Steed. Outside, Liz, Geordie and Jack watch through the wire at the drama unfolding, and see Steed leap upon Kolchek, disarming him and subduing him as the assembled policemen rush to his aid. Thwarted, the enemy spy is led away by PCs Geary and Butterworth.

Some time later, Dr Keel returns to his surgery to find Steed fast asleep on Keel's examination bench; his dog, Puppy, standing guard over the exhausted agent.


1. Gordon Phillott appears in the next episode, Double Danger but the Tele-Snaps clearly show him in Keel's surgery as an elderly patient. Maybe the director saw him on set and pressed him into service. I wonder if they made him an early carry-over character, playing the same character in both.
2. The Tele-Snap shows a younger man lying of the ground to reach whatever it is.
3. There's a Tele-Snap of Steed present when the Inspector is talking to Pearson and this seems to be the likely reason for Steed's presence.
4. Tele-Snaps show a dark open-necked shirt which McGinlay and Hayes took to be pyjamas but I think it's just as likely he had changed into dark casual gear to do some late-night snooping. Him being in the lobby is pure guesswork, otherwise he either returned conveniently early.
5. I put this here so we have an end of act cliffhanger about planting a bomb, it might easily have been the starting point of the third act.
6. Dave Rogers' synopsis talks about the bomb being on board the submarine but the Tele-Snaps do not seem to support this idea.
7. Pure guesswork, I'm afraid. Chandler seems to be an officious bloke with a pen and clipboard so this seems a likely scenario.
8. Why else would he be there rather than miles away, running as fast as he can?

Cast

Kolchek Peter Arne regularDangermanThe SaintPink PantherDepartment SThe Champions
Dr David Keel Ian Hendry regularDangermanPolice SurgeonThe SaintThe Sweeney
John Steed Patrick Macnee regular007
Sir William Bonner Frank Thornton regularCarry On..The ChampionsDangerman
Liz Wells Nyree Dawn Porter DangermanThe Saint
Sam Pearson Paul Dawkins regularThe ProfessionalsDad's Army
Charles Fleming Sean Sullivan
Geordie Wilson Redmond Bailey regular
Jack Robert G. Bahey
Inspector Georgeson Barry Keegan DangermanThe Saint
P.C. Butterworth Tom Adams regularDoctor WhoUFO
One-Ten Douglas Muir regularThe Saint
Pardoe Gary Watson regularDoctor WhoCallanRandall and HopkirkThe Saint
P.C. Geary Patrick Connor regularDad's ArmyDangerman (billed as Patrick Conner)
Sergeant Brodie Hamilton Dyce regularDoctor WhoJason KingThe Saint
Chandler Billy Milton regularRandall and Hopkirk
Not billed in TV Times magazine
One-Ten's agent unknown
elderly patient Gordon Phillott regular
Puppy Juno regular

Images from other sources: Tom Adams from "Ghost Squad": "High Wire", edited to put him in police uniform.

One-Ten's agent looks a bit like Charles Bird or Steven Scott but seems, in the Tele-Snap of him peering through the ladder, to have too much hair to be either.

Crew

Teleplay by James Mitchell regularCallan
"The Avengers" Theme composed and played by Johnny Dankworth regular
Designed by Robert Fuest regular
Producer Leonard White regularCallanPolice Surgeon
Directed by Peter Hammond regular

Production and transmission details

Studio details: Teddington Two
Transmission: 24th June 1961, 8.50-9.47 p.m.

Schedule

Camera rehearsals were held on 21st and 22nd June, 1961, in a schedule similar to the other episodes of this time. The VTR recording took place on the evening of 22nd June from 6pm to 7pm.

TV Times listing

TV times listing for June 24 1961, showing The Avengers in the 8.50pm timeslot (June 16 1961 Northern edition), with a photograph of guest star Peter Arne

John Steed had to fight for his life against an enemy whom he does not know – but who knows him

Regional broadcasts

ITV BroadcasterDateTime
ABC Midlands24/06/19618.50pm
ABC North24/06/19618.50pm
Anglia Television24/06/19618.50pm
ATV24/06/19618.50pm
Southern Television24/06/19618.50pm
Tyne Tees Television24/06/19618.50pm
Television Wales & West24/06/19618.50pm
Ulster Television24/06/19618.50pm
Westward Television24/06/19618.50pm
Scottish Television24/06/19618.50pm
Border Television--
Grampian Television--

Minutiæ

  1. The original script for this episode is not available so I have based my breaks in the acts on what I consider to be the cliff-hanger moments. They may have occurred at different points in the synopsis.
  2. The two slipway workers peering through the wire behind Liz in one photo are almost certainly Jack and Geordie, played by Robert G. Bahey and Redmond Bailey - the one nearest Liz is Red Bailey as he's in several other episodes from this series (Brought to Book and Nightmare), so it's odd-on that the other is Jack.
  3. Billy Milton and Sean Sullivan are so similar looking it's hard to work out who is who in the Tele-Snaps! One wonders if viewers at the time were confused.
  4. It looks like Gordon Phillott is the actor playing the elderly patient that keeps Ian Hendry from appearing more than fleetingly in this episode. Gordon appears in the next episode, Double Danger, as Bartholemew, so it's possible the director or other crew member saw him rehearsing the next script or realised following his casting for that that he fit the bill as an elderly patient and used him instead of another extra. Did he end up playing the same character in both? Answers on a postcard...
  5. It looks like Steven Scott or Charles Bird might be making yet another walk-on appearance in series 1 as One-Ten's undercover agent who is killed at the beginning of the episode but I'm not sure.
  6. Many synopses talk about Fleming having hidden the bomb on board the submarine but the set seen in the Tele-Snaps looks nothing like the interior of a submarine so I set this part of the story in a secured area of the dock - it would certainly make it easier for Steed to hurriedly throw the bomb into the water!
  7. Peter Hammond does one of his trademark shots through another object, this time a strange geodesic cage dome over One-Ten's telephone, shot from above. The designer on this episode, Robert Fuest, worked with Hammond for much of this series and went on to be a director himself. Fuest often did Hammondesque shots through other objects as well so perhaps they influenced each other during their time together in this first series of The Avengers.
  8. In a precursor of Mother's odd office locations in Series 6, Leonard White had noted in a memo regarding One-Ten that "He is usually on a 'phone - but the 'phone always seems to be in interesting places."
  9. This episode was broadcast at 8.50pm instead of the previous timeslot of 10.00pm, owing to the high ratings earned in the later timeslot. The Avengers would keep this timeslot until the pause in broadcast to allow Deadline Midnight to finish its run as a weekly serial. When The Avengers returned to screens in December, it returned to the 10pm timeslot.
    Only Please Don't Feed the Animals on 1st April 1961 (and the ATV, Southern, and Tyne Tees catch-up broadcasts of Brought to Book the same night) had ever had an earlier timeslot, being shown at 8.35pm.

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