Series 6 — Episode 22
Fog
Teleplay by Jeremy Burnham
Directed by John Hough
Production No E.67.9.24
Production completed: January 9 1969. First UK transmission: March 7 1969. First transmission (USA): February 17 1969.
Regional broadcasts
Broadcaster | Date | Time |
---|---|---|
Thames Television | 12/03/1969 | 8:00pm |
ATV Midlands | 7/03/1969 | 8:00pm? |
Granada Television | 23/06/1969 | 8:25pm |
Anglia Television | 6/08/1969 | 8:00pm |
Border Television | 19/03/1969 | 8:00pm |
Channel Television | 24/05/1969 | 8:25pm |
Grampian Television | 12/03/1969 | 8:00pm |
Southern Television | 4/06/1969 | 8:00pm |
Scottish Television | ||
Tyne Tees Television | 12/03/1969 | 8:00pm |
Ulster Television | 7/03/1969 | 8:00pm |
Westward Television | 24/05/1969 | 8:25pm |
Harlech Television | 7/03/1969 | 8:00pm |
Yorkshire Television | 15/03/1969 | 8:00pm |
TV Times listing
8.0 The Avengers
Patrick Macnee
Linda Thorson
Patrick Newell in
Fog
By Jeremy Burnham
In an eerie, fog-filled episode, with all the flavour of Victorian melodrama, Steed and Tara hunt the dreaded Gaslight Ghoul — a murderer with a top hat and cape who is re-enacting Jack-the-Ripper type crimes of the 1880s. But the caped killer has a modern motive. All his victims are members of a vital peace conference.
John Steed | Patrick Macnee |
Tara King | Linda Thorson |
President | Nigel Green |
Travers | Guy Rolfe |
Mother | Patrick Newell |
Carstairs | Terence Brady |
Sanders | Paul Whitsun-Jones |
Maskell | David Lodge |
Fowler | Norman Chappell |
and
David Bird, Frank Sieman, Patsy Smart, Virginia Clay, John Garrie, Bernard Severn, Frederick Peisley, Stanley Jay, Arnold Diamond, William Lyon Brown, John Barrard.
Executive in Charge of Production Gordon L. T. Scott; Designer Robert Jones; Director John Hough; Producers Albert Fennell, Brian Clemens
International broadcasts
Broadcaster | Date | Time |
---|---|---|
ABN2 Sydney, Australia | 23/05/1969 | 8:00pm |
ABV2 Melbourne, Australia | 29/04/1969 | 8:30pm |
ABC New York, USA | 17/02/1969 | 7:30pm |
ORTF2 France | 17/10/1970 | 8:35pm |
Suisse Romande, Switzerland | ||
French title | Fog / Brouillard (TF2:2) | |
ZDF Germany | 6/10/1970 | 9:00pm |
German title | Club des Gaslichtmörders | |
KRO Netherlands | 29/01/1971 | 9:36pm |
Dutch title | Mist | |
TTI Italy | 7/1/1981 C51 | |
Italian title | Nebbia | |
Spain | 23/02/1970 | 11:10pm |
Spanish title | Niebla |
This episode was not broadcast in Switzerland.
French listings of the time used the English title, Fog instead of the French translation, Brouillard which is now used on DVD sets and TV listings.
Continuity & Trivia
- 4:13 — Steed seems to get Haller and Valarti mixed up when he first greets them at 3:00; he gets it right from 4:13 onwards.
- 4:36 and throughout - The fog-bound set upon which most of the action of this episode takes place is reused in the intro scene of Who Was That Man I Saw You With? nad uses the same pre-fab cobblestones as the opening scene of The Correct Way To Kill.
- 4:47 — Is that Cliff Diggins with a false beard stalking through the mist as the killer?
- 8:35 — Emulating the master - John Hough uses one of Peter Hammond’s directorial tricks, filming through Grunner spectacles to have a multi-layered shot. Hammond was Hough’s mentor and encouraged him to become a director.
- 9:00 — The telephone in the booth bears the number 460–9618 X, but why is there a standard telephone in a booth?
- 11:26 — “We’re just entering the month of November now” - more overlapping cases for The Avengers? It is, however, att odd with Sander’s receipt (38:50) : Sir Geoffrey Armstrong 7th November 1968 : To the hire of one hansom-cab Four weeks rental in advance : £80/-/-.
- 12:50 & 14:20 — Mask and Face Theatrical Costumiers, 15 Corder Street W1
- 15:00 — We skip from Mask & Face straight to Osgood’s - David Lodge’s scenes as the master cutler, Maskell, who gives Steed the lead to Armstrong from the sword stick all ended up on the cutting room floor; he remains billed in the closing credits even though he never appears on screen.
- 23:59 — Surely one of the members is Charles Osgood, who’s just been murdered.
- 26:27 (26:50) - the iron maiden from Castle De’Ath is in the club’s black museum.
- 31:00 — Hand-held camerawork here, as mentioned by John Hough in his commentary.
- 31:20 — You can tel it’s Travers in the mid shot, the scene isn’t quite dark enough to keep his identity a mystery.
- 36:18 — That’s a stand-in for Macnee striding through the fog.
- 37:55 — the cartwheel topples and runs over the dead Sanders, but in the next shot it’s squarely against the desk, Sanders no longer in shot.
- 38:50 — Bartholemew Sanders, Conveyancers of Quality were located in Grantson Mews, London (must be W1 as it’s close to the costumiers, and Steed sets off on foot to visit it).
- 47:35 — Steed says that Kezorkian, the Russina Imperial Guard, taught him to dodge dart thrown at blinding speed, a precursor to The Gladiators...
- 47:57 — Obviously stunt doubles for the sword fight.
- 48:25 — Steed releases Tara and asks her how her ankle is; she quips, “I just can’t bear traps”.
- Running time: 50′10″
The Transport
Marque | Colour | Number |
---|---|---|
Austin Mini Moke 1967 | white orange and blue | THX 77F |
peddlar’s barrow | white, raw wood | - |
Rolls-Royce 40/50 h.p. ‘Silver Ghost’ 1923 H.J.Mulliner tourer (chassis number 46LK) | pale lemon | KK 4976 |
Hansom Cab | black and blue, white horse | ? |
Rover P5B 3.5 Litre Saloon 1968 | dark grey | TPK 492F |
Who’s Killing Whom?
Victim | Killer | Method |
---|---|---|
Grunner | Travers | sword stick |
Valarti | Travers | sword stick |
Osgood ? | Travers | sword stick |
Sanders | Travers | sword stick |
The Fashions
Tara |
Steed
|