• title card: white all caps text outlined in black reading ‘MISSION...’ superimposed on a view of a deserted, dusty country lane
  • title card: the white all caps text outlined in black has changed to read ‘MISSION... HIGHLY IMPROBABLE’ superimposed on a view of a deserted, dusty country lane
  • The shrunken Captain Gifford stares up at the telephone which dwarfs him
  • The Saracen armoured car is bombarded by artillery
  • Steed, reduced to minature size, tries to use Schaffer’s telephone to get help from Emma, the similarly shrunken Saracen is also on Schaffer’s desk
  • Steed stalks along the skirting board, wielding a (to him) huge pen as a weapon
  • Emma turns her back to Steed and asks him if ‘everything’ has returned to normal
  • video - It sounds like rain, so Steed galantly offers Emma his much-shrunken umbrella and turns up the collar of his suit

Series 5 — Episode 24
Mission... Highly Improbable

by Philip Levene
Directed by Robert Day

Steed falls into enemy hands
Emma is cut down to size

Production No E.66.6.24
Production completed: September 22 1967. First transmission: November 15 1967.

Regional broadcasts

BroadcasterDateTime
Rediffusion London17/11/19678:00pm
ABC Midlands18/11/19679:05pm
ABC North18/11/19679:05pm
Anglia Television18/11/19679:10pm
Border Television17/03/19687:25pm
Channel Television9/02/19687:30pm
Grampian Television15/11/19678:00pm
Southern Television17/11/19678:00pm
Scottish Television18/11/19679:10pm
Tyne Tees Television18/11/19679:10pm
Ulster Television23/11/19677:30pm
Westward Television9/02/19687:30pm
Harlech Television14/07/19687:25pm

TV Times listing

TV Times listing for November 17 1967, 8pm (London edition)
Sydney Morning Herald listing for December 12 1967, 8pm
The Age listing for December 11 1967, 8pm

8.0 The Avengers
starring
Patrick Macnee
as John Steed
and
Diana Rigg
as Emma Peel
in
Mission …
Highly Improbable

By Philip Levene

In which Steed falls into enemy hands — and Emma is cut down to size …

Shaffer Ronald Radd
Susan Jane Merrow
Prof. Rushton Noel Howlett
Chivers Francis Matthews
Col. Drew Richard Leech
Josef Stefan Gryff
Gifford Nicholas Courtney
Sir Gerald Bancroft Kevin Stoney
Sergeant Peter Clay
Corp. Johnson Nigel Rideout
Blonde Cynthia Bizeray
Brunette Nicole Shelby
Henrik Nosher Powell
Karl Denny Powell

Designed by Robert Jones
Music by Laurie Johnson
Directed by Robert Day
Produced by Albert Fennell
and Brian Clemens
Executive Producer
Julian Wintle

ABC Television Network Production

International broadcasts

BroadcasterDateTime
ABN2 Sydney, Australia12/12/19678:00pm
ABV2 Melbourne, Australia11/12/19678:00pm
ABC New York, USA10/01/19687:30pm
ORTF2 France
Suisse Romande, Switzerland25/03/19689:40pm
French titleMission très improbable
ZDF Germany27/02/19689:15pm
German titleHätten Sie’s nicht ein bißchen kleiner?
KRO Netherlands5/03/19689:10pm
Dutch titleEen hoogstonwaarschijnlijke missie
Svizzera Italiana21/06/19749:00pm
Italian title(un )esperimento stupefacente*
Spain3/03/19684:10pm
Spanish titleMisión altamente improbable

* Italian listings showed this as 10pm, as Italy observed Summer Time and Switzerland did not.

USA: New York Times listing for January 10 1968, 7.30pm
Germany: Hamburg Abendblatt listing for February 27 1968, 9.15pm
Spain: ABC Madrid listing for March 3 1968, 4.10pm
Netherlands: Nieuwe Leidsche Courant listing for March 5 1968, 9.10pm showing the Dutch title
Netherlands: Dagblad de Stem listing for March 5 1968, 9.10pm
TV Svizzera Italiana: Radiocorriere listing for June 21 1974, 10pm Italian time
TV Svizzera Italiana: Stampa Sera listing for June 21 1974, 10pm Italian time
USA: Chicago Tribune highlights for January 10 1968, 6.30pm
USA: New York Times photo of Diana adveritising the return of The Avengers at 7.30pm
Switzerland: L’Impartial listing for March 25 1968, 9.40pm
Germany: Hamburg Abendblatt mini-article announcing the end of The Avengers

Episode Rating

Subject 0–5
Direction 4 stars
Music 3 stars
Humour 4 stars
Intro/tag 3 stars
Mastermind
2½ stars
Plot 3 stars
Emma 4 stars
Set Design 4 stars
Overall
(0–10)
8 stars

Overall, this is a damn fine episode. A welcome return to the sci-fi escapism and referential postmodernism that The Avengers is famous for. A clever blend of reality and sheer impossibility, as well as a dig at Mission : Highly Impossible. What more could you want?

Professor Rushton has invented a miniaturising ray, but his assistant Chivers uses it for unpatriotic activities. First he shrinks the minister who had come to examine their finances, then a snooping Captain, and finally to steal the new Saracen FV603 armoured car. The buyer - Shaffer - is unaware that Steed was inside the armoured car when it was shrunk, and has come along for the ride!. Rescued by Mrs. Peel, they escape and Steed is returned to normal size, only for Emma to be shrunk. Emma then frees Steed, the Professor and his daughter, and is in turn returned to normal - “Everything? Everything!” Shaffer and Chivers are then shrunk and collected in Steed’s bowler.
With rain expected, Steed offers Emma his still shrunken umbrella...

The Cars

Marque/Model Colour Number Plate
Rolls-Royce Silver Cloud III (miniature is a Dinky Toys Silver Cloud III 2-door coupé by Mulliner Park Ward) white GB 1
Triumph 600cc bike, saddlebags white 532 PPL
Triumph 600cc bike, saddlebags white 452 YMF
Triumph 600cc bike, saddlebags white 779 ALH
Bentley 4.5 litre 1927 British racing green YT 3942
Land-Rover MT4 Military truck blue/white top -
Land-Rover MT4 Military truck blue/white top 368 BLP (MT4 594)
Triumph TR4 powder blue, black roof KGN 444D
Alvis FV 603 Saracen Series II Armoured Car 1952 (later shrunk) tan RGX 879
Land-Rover SWB dark green,green top -
Land-Rover LWB hardtop pale blue/grey, tan roof -
Land-Rover LWB hardtop pale blue/grey, tan roof RY 913
Mercedes 230 SL Roadster 1966 white LGK 75D
Lotus Elan S3 glacier blue SJH 499D
Austin Westminster black 244 VFK

Who’s Killing Whom?

Victim Killer Method
Sir Gerald Bancroft Chivers V* Thrown into garbage bin
Captain Gifford Chivers V* Hosed down the drain
* Strange ways to kill people, but they were miniaturised first.
Click a name to see the face

The Fashions

Emma’s Fashions Steed’s Fashions
  1. lime green sundress with white trim in curved X shape around neck
  2. frost green blouse, black belt, tan trousers, white shoes
  3. forest green high collared long-sleeved belted top & skirt (the skirt has a subtle darker green diagonal tartan)
  4. pink top? ... (not on screen for long)
  5. blue catsuit with high square collar & white laces, silver boots
  6. orange sleeveless dress with belt
  1. brown and green hunting blazer, houndstooth trousers, yellow shirt, dark brown tie, brown bowler
  2. grey single-breasted suit with flap pockets, white shirt, grey tie with white spot, grey bowler hat & umbrella
  3. navy single-breasted suit, white shirt, red tie with black spot, black bowler hat & umbrella, boots
  4. light grey suit with flap pockets and a felt collar, white pinstriped shirt, arrowhead pattern navy tie

Continuity and trivia

  1. 3:30 — Gifford gets off his bike at the junction after the short curve and walks back to look around, but the shot of him walking back has him in the middle a straight piece of road with no turning - unless he and the other riders have arbitrarily gone onto the road in front of them instead of doubling back in their search.
  2. By the way, Gifford’s medals are: Korea Medal, United Nations Service Medal for Korea, General Service Medal, Queen Elizabeth II Coronation Medal
  3. 3:38 — the titles are staggered, first with “Mission...” appearing and then “Highly Improbable” is added.
  4. 8:30 — Professor Rushton has the same vintage car prints in his office as Sir George had in Dead Man’s Treasure and maybe Dr. Haymes had in Murdersville.
  5. 11:50 — Captain Gifford smashes the window and a small piece of glass falls outside but at 12:10 Chivers discovers him by stepping on the broken glass outside, and there much more glass than there should be.
  6. 11:55 — Music from From Venus With Love is used here, and throughout the episode. Laurie Johnson must have thought it suited the science fiction plot.
  7. 4:21–4:33, 12:25–12:35, & 22:20 — The miniaturised Rolls-Royce is a coupe, not a saloon like that shrunk, and it’s been quickly painted white.
  8. 21:36–21:53 — stock footage of artillery.
  9. 23:49 and elsewhere - If the MT4 military truck they’re all looking for has a worn offside tyre, why does everyone keep checking the nearside tyres of the trucks they happen upon? Both Steed and Captain Gifford check the near fore wheel of the MT4s they encounter. ( ‘Nearside’ means the side of a vehicle nearest the kerb - i.e. the left side of the cars in Britain. ‘Offside’ is the right, where the driver sits in British cars).
  10. Colonel Drew’s medals are: GBE, DSO, Military Cross, 1939–45 Star, Africa Star, Burma Star, France and Germany Star Defence Medal, War Medal 1939–1945, Korea Medal, United Nations Service Medal for Korea
  11. 29:36 and throughout - The desk that the miniaturised Steed and Mrs. Peel crawl around on has the same out-sized desktop calendar prop that was used in Death’s Door.
  12. 32:13 — When he uses Shaffer’s telephone, Steed reveals that Mrs. Peel’s telephone number is 629–6291, and must be in the Greater London 01 area (0171 these days, I guess). Shaffer’s number is 01–325-471, according to the label on the dial. Why Mrs. Peel has a seven-digit number in 1968 is anyone’s guess, and is 629 the right prefix for Primrose Hill? Surely she’s moved from NW1 to W1 with that number. (If you look closely, you can see that Patrick only dialled four numbers, but they took two different angles of it and cut it together).
  13. 32:59 and 33:03 — Steed’s umbrella, lying on the desk, moves slightly when Shaffer enters the room, compare the above right with the immediate right. The Saracen has moved as well.
  14. 36:38 — When Emma is released by a shrunken Steed, she smiles impishly at him and asks, “Tell me Steed, is everything to scale?”
  15. 38:00 — Corporal Johnson should never have let the truck out the gate, Rushton hands him Gerald Bancroft’s gate pass.
  16. 39:41 — When Emma is escaping from Shaffer’s study, Karl is guarding the hallway, reading a book with a slightly torn dust jacket, revealing it to be Jane Austen’s “Emma” (clever, that).
  17. 43:17 — Shaffer calls to his men (off camera), shouting, “Sergei! Ivan!” - but the characters are credited as Hendrick and Karl; a mistake or were they just giving the illusion of more characters?
  18. 46:22–46:33 — When Emma is restored to full size, she asks Steed worriedly, “Is everything back to normal?”
    Steed looks her up and down and replies, “Everything.”
    Emma turns around to show him her posterior and queries, “Everything?”
    Steed glances down and confirms, “Everything!”
    ©1961–9 CANAL+IMAGE UK Ltd All Rights Reserved
  19. 47:10 — Product placement for Herbert Johnson & Sons as the bowler hat descends on Scaeffer and Chivers.
  20. 48:13 — Steed hands Emma his shrunken umbrella, but it was returned to full size with him when he was restored in the summer house at 42:38, he’s holding it when he emerges from the sack, and again when he walks outside and is captured by Josef and Chivers. 42:38 (seen on-screen from 43:00 onwards).

    The cat’s out of the bag...

    and emerges from the hut

    ...but it shrank again!
    ©1961–9 CANAL+IMAGE UK Ltd All Rights Reserved ©1961–9 CANAL+IMAGE UK Ltd All Rights Reserved
  21. Running time: 49′07″

Cast and Production notes

  1. This first draft of this episode had the title The Disappearance of Admiral Nelson and was rejected by the producers as too outlandish (it had been submitted for the previous, black and white, series). Philip must have rewitten it heavily to get it approved.
  2. Jane Merrow was a popular choice of Casting directors of the time - she appeared in lots of different television and film productions, and was reportedly one of Patrick McGoohan’s favourite supporting players, great praise indeed from such a noted perfectionist. She was also screen tested for Diana Rigg’s replacement, but lost out to Linda Thorson. Todd Mills has created a wonderful in-depth look at Jane and all her work at http://www.regiments.org/merrow/ - check it out now! (It’s actually been online nearly as long as this site has.)
  3. All the scenes featuring Nicole Shelby as ‘Brunette’ ended up on the cutting room floor, but she still appears in the cast list. Here she is as Miranda, the brunette pursuer of Baron von Curt (Ian Ogilvie) in the Tara King episode, “They Keep Killing Steed”.
  4. The Powell brothers, Nosher and Dinny, play the goons Karl and Henrik. George ‘Nosher’ Powell and his brothers (including Dinny, credited as Denny in this episode, and elsewhere as Dinney) were some of Britian’s leading stuntmen; Nosher has also had two sons, both of whom are stuntmen as well.
  5. Some of the footage of the testing of the FV 603 appears in the series Department S in an episode called “Who Plays the Dummy?”.
    Department S was directed at times by Ray Austin, Stunt Coordinator for The Avengers, and starred Peter Wyngarde as Jason King (he appeared in Epic as Stewart Kirby). It was an ITC production, but obviously shared a great many resources with ABC productions - the guest cast is almost identical to the Avengers. There’s a rumour that the footage also appeared in an episode of The Saint, as yet unconfirmed.
A note on the timecodes
Where I have listed two sets of timecodes, the first is from the 2009–11 Optimum Releasing/Studio Canal DVD sets, any other timecodes are from the A&E and Contender DVD sets from a decade beforehand.
The new releases have been remastered and their frame rate has been changed, resulting in a shorter running time. However, the picture quality has increased markedly. I assume this is because they used a simple 2:2 pulldown (24 @ 25) when converting from the original film masters (film runs at 24 frames per second, while PAL runs at 25fps, the new DVDs are in PAL format).
This pulldown was also the cause of audio errors on many episodes, especially for Series 5, as the audio sped up to match the new rate (4% faster), rather than being properly pitch-shifted. Checking the dialogue sheets, which list the feet and frames of the reels, it looks like the speed change is around 5.04%, so there may be some cuts as well - probably from around the commercial breaks and ends of reels, as they amount to about 25 seconds. All my assumptions are based on the episodes having been filmed on standard 35mm film, which has 16 frames per foot and runs at 24 frames per second, so a minute of footage uses 90 feet of film (1,440 frames).
These audio errors have been corrected in the currently available DVDs, but the 2:2 pulldown remains. There is also the addition of a Studio Canal lead-in, converted to black and white to match the episode for Series Four, but colour for Series Five, adding an extra 18 or 19 seconds to the runnning time and making it harder to match timecodes with previous releases. It’s annoying that it has been slapped on every single episode, Series 1–3 didn’t suffer this indignity.
The previous Contender and A&E DVD releases didn’t seem to suffer from these problems, so I assume they either used soft telecine and preserved the original 24fps rate of the film (my preferred option in DVDs) or they used 24 @ 25 pulldown (2:2:2:2:2:2:2:2:2:2:2:3 Euro pull-down).
Thankfully, the new blu ray releases for series 4–6 appear to use native 24fps with soft telecine so the running times and pitch all seem to be correct again along with a much grreatly improved picture quality, most notably in the Tara King episodes which are finally back to their original glory.

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