Series 5 — Episode 6
The Winged Avenger
by Richard Harris
Directed by Gordon Flemyng and Peter Duffell
Steed goes bird watching
Emma does a comic strip..
Production No E.66.6.6
Production completed: December 12 1966. First transmission: February 15 1967.
Regional broadcasts
Broadcaster | Date | Time |
---|---|---|
Rediffusion London | 17/02/1967 | 8:00pm |
ABC Midlands | 18/02/1967 | 9:10pm |
ABC North | 18/02/1967 | 9:10pm |
Anglia Television | 17/02/1967 | 8:00pm |
Border Television | 19/02/1967 | 8:10pm |
Channel Television | 17/02/1967 | 8:00pm |
Grampian Television | 6/03/1968 | 8:00pm |
Southern Television | 15/02/1967 | 8:00pm |
Scottish Television | 18/02/1967 | 9:10pm |
Tyne Tees Television | 15/02/1967 | 8:00pm |
Ulster Television | 4/01/1968 | 9:00pm |
Westward Television | 17/02/1967 | 8:00pm |
Television Wales & West | 17/02/1967 | 8:00pm |
TV Times listing
8.0 The Avengers
starring
Patrick Macnee
as John Steed
and
Diana Rigg
as Emma Peel
in
The Winged Avenger
By Richard Harris
In which Steed goes bird watching — and Emma does a comic strip …
Cast also includes
Sir Lexius Cray | Nigel Green |
Professor Poole | Jack MacGowran |
Arnie Packer | Neil Hallett |
Stanton | Colin Jeavons |
Julian | Roy Patrick |
Tay-ling | John Garrie |
Peter Roberts | Donald Pickering |
Simon Roberts | William Fox |
Dawson | A. J. Brown |
Dumayn | Hilary Wontner |
Fothers | John Crocker |
Gerda | Ann Sydney |
Designed by Wilfrid Shingleton
Music by Laurie Johnson
Directed by Gordon Flemyng
and Peter Duffell
Produced by Albert Fennell
and Brian Clemens
Executive Producer
Julian Wintle
ABC Television Network Production
International broadcasts
Broadcaster | Date | Time |
---|---|---|
ABN2 Sydney, Australia | ||
ABV2 Melbourne, Australia | ||
ABC New York, USA | 17/02/1967 | 10:00pm |
ORTF2 France | ||
Suisse Romande, Switzerland | 15/04/1968 | 9:15pm |
French title | Le vengeur volant | |
ZDF Germany | ||
German title | Der geflügelte Rächer | |
KRO Netherlands | 30/09/1969 | 9:10pm |
Dutch title | De gevleugelde wreker | |
Svizzera Italiana | 10/05/1974 | 9:00pm |
Italian title | il vendicatore alato | |
Spain | 11/09/1967 | 6:02pm |
Spanish title | El vengador alado |
I have not located this episode in the initial run of the series in Australia in 1967 but it appears, marked as a repeat, in the late night rerun series in 1975. It’s possible that April 14 1975 was in fact it very much belated premiere.
ORTF2 did not include this episode in their 1968 series - whether if fell victim to the strikes or was not picked up by the network is unclear. The French premiere appears to have been at 8.35pm on September 28 1973, on TF1.
Episode Rating
Subject | 0–5 |
---|---|
Direction | 4½ stars |
Music | 4½ stars |
Humour | 5 stars |
Intro/tag | 4½ stars |
Mastermind | 3½ stars |
Plot | 3½ stars |
Emma | 5 stars |
Set Design | 3½ stars |
Overall (0–10) |
9 stars |
9/10! There’s not much that would improve this episode, it’s just about perfect. Oodles of wit and style combined with great direction and props make this a real viewing pleasure. Make sure you see it!
Mrs. Peel is busy painting when she’s distracted by discovering
Steed has just signed her masterpiece.
Ruthless businessmen are being killed by a comic-strip
character come to life.
Good on him, I say.
The illustrator, Arnie, has turned fiction into fact using
special climbing boots invented by Professor Poole - with
them, you can walk up the side of a house. A battle ensues on
the ceiling before Steed uses Batman tactics to bring the
Winged Avenger down to earth. POW! WHACK!
BLAM!
Back at Mrs. Peel’s apartment Steed draws dinner, then serves
it with a ping! of tureen lids.
The Cars
Marque/Model | Colour | Number Plate |
---|---|---|
Austin 1800 | white, black/red interior | - |
Lotus Elan S3 | glacier blue | SJH 499D |
Bentley Speed Six 1926 | British racing green | RX 6180 |
Who’s Killing Whom?
Victim | Killer | Method |
---|---|---|
Simon Roberts | Arnie Packer V* | Clawed to death |
Peter Roberts | Arnie Packer V* | Clawed to death |
Tay-Ling | Arnie Packer V* | Clawed to death |
Edward J. Dumayn | Arnie Packer V* | Clawed to death |
Julian | Arnie Packer V* | Clawed to death |
Professor Poole | Arnie Packer V* | Clawed to death |
Arnie Packer V* | Steed & Emma | Hurled out upstairs window during fight. |
The Fashions
Continuity and trivia
- The illustrations seen throughout this episode are by Frank Bellamy, best known for his Fraser of Africa strip in Eagle and for drawing Thunderbirds and Captain Scarlet and the Mysterons for TV Century 21, and Joe 90.
It was during a break from Thunderbirds in Autumn 1966 that Frank created the illustrations for this episode. He also designed the artists’ studio set and the Winder Avenger costume.
Some of the mocked-up comic books are American comics with custom covers drawn by Frank pasted onto them. - 1:48 — The ‘Simon Roberts & Son - Publishers’ sign from this episode turns up in the back lot in "Epic". David Lodge, playing a policeman, falls on it.
- 4:49 — Smirnoff and Johnny Walker product placement.
- 2:32/8:35/43:48 — Every time the Avenger climbs a wall, we see his claws going up notched stone or concrete blocks, despite the fact that no building he ever climbs resembles them. Anyway, why is he using the claws when he could just walk up the wall?
- 6:05 — A major continuity error in the intro! (see above) The entirety of the canvas is in full view at all times - even just at the point where Mrs. Peel starts in amazement - the crimson Mrs. PEEL is not on the corner of the canvas until after Steed walks around the back, wiping his brush.
- 7:30 — Steed and Mrs. Peel consult an illustrated “Birds of the World”.
- 8:20 — How is the The Winged Avenger parked in some woods near Simon Roberts & Son?
- 11:18 — Grundig product placement.
- 14:16 — Overdub, fluffed line, or melodrama?
Sir Lexius is having tea with Emma and says “...tried to [gap] do me out of the profits!” Jenna Clayton thinks he said something else, I think he paused for effect (or maybe stumbled over his lines). - 15:14–15:30 — the bird in the air is different to the bird on the wrist - and Sir Lexius has a large hole in his leather gauntlet.
- 15:45 — Arnie Packer’s telephone number (as dialled by Tay Ling) is 463–337.
- 18:16 — Stand-ins for Miss Rigg: Billy Westley leaps over the hedge, wearing a wig... and Diane West walks through the garden (19:08).
- 23:50 — Professor Poole’s house (Stanmore Hall) is the same as Brigadier Whitehead’s from From Venus with Love. Stanmore Hall was a popular shooting location for many shows of the time.
- 24:01 — Stand-ins do the stair-climbing duties.
- 24:32 — Diana Rigg makes the unfortunate choice of a white bra under a black knitted rollneck.
- 25:34 — The (prop) staircase in Poole’s mansion shakes terribly whenever anyone’s on it; when Steed and Emma follow Poole up them, It looks as though the whole thing will collapse beneath them!
- 27:47 — Emma spots an article about E.J. Dumayn in the Wednesday November 30 1966 edition of “The Daily Mail”
- 28:57 — When Dumayne is killed, not only does he obviously catch himself and cushion his fall, but he also visibly inhales and exhales one time after he lands!
- 32:18 — The Lotus headlights fail to close, and it’s Cyd (or maybe Billy!) who gets out.
- 33:14 — Why would Poole have rows of book cover Parlimentary debates?
- 33:50 and elsewhere - How do Poole, Emma and The Winged Avenger keep their bodies horizontal while climbing up the walls? They’re somehow managing it almost entirely through the use of their ankle muscles!
- 33:50 and elsewhere - How do Poole, Emma and The Winged Avenger keep their bodies horizontal while climbing up the walls? They’re somehow managing it almost entirely through the use of their ankle muscles!
- 35:19 — The address of Winged Avenger Enterprises is 163 Boxley Road, .... Heath (according to Professor Poole’s cuff-note).
- 38:00 — Steed and Emma fail to realize that finding the published The Winged Avenger comic with the picture of Dumayn’s body makes Packer at least a co-conspirator; they wonder aloud whether Packer or Stanton - or both - is the Winged Avenger.
- 42:10 — more stair-climbing duties for a stand-in - possibly Diane West.
- 42:28 — Steed’s near-side headlight still doesn’t work.
- 42:29 — The perennial problem of colour-shift appears when Stanton & Steed are in the Bentley with the projected background of moving scenery.
- 43:00–44:38 — When chasing Emma, The Winged Avenger climbs out the second story window, climbs up at least one story, then crashes through the window onto... the second story!
- 44:30 — Just before Stanton and Steed arrive at Poole’s house, Steed asks Stanton ‘How are we doing?” Stanton replies “Not too good!”and shows Steed a drawing, which in the longshot is nothing like the drawing of the Winged Avenger at the window that we are given as the close up.
- 46:08 — During the fight with Emma, just after scratching the table, one of the hooks from the right claw falls off the Winged Avenger’s costume - and it falls up to the ceiling!
- 46:32- - During the final fight scene, when Steed and Stanton break in, Emma and the Winged Avenger are 5 or 6 feet above them; but when Steed whacks him with the signs, he’s is little more than one foot above him!
- 47:36 — The bird sculpture from Art Incorporated is in Mrs. Peel’s living room.
- Running time: 49′23″
Where I have listed two sets of timecodes, the first is from the 2009–11 Optimum Releasing/Studio Canal DVD sets, any other timecodes are from the A&E and Contender DVD sets from a decade beforehand.
The new releases have been remastered and their frame rate has been changed, resulting in a shorter running time. However, the picture quality has increased markedly. I assume this is because they used a simple 2:2 pulldown (24 @ 25) when converting from the original film masters (film runs at 24 frames per second, while PAL runs at 25fps, the new DVDs are in PAL format).
This pulldown was also the cause of audio errors on many episodes, especially for Series 5, as the audio sped up to match the new rate (4% faster), rather than being properly pitch-shifted. Checking the dialogue sheets, which list the feet and frames of the reels, it looks like the speed change is around 5.04%, so there may be some cuts as well - probably from around the commercial breaks and ends of reels, as they amount to about 25 seconds. All my assumptions are based on the episodes having been filmed on standard 35mm film, which has 16 frames per foot and runs at 24 frames per second, so a minute of footage uses 90 feet of film (1,440 frames).
These audio errors have been corrected in the currently available DVDs, but the 2:2 pulldown remains. There is also the addition of a Studio Canal lead-in, converted to black and white to match the episode for Series Four, but colour for Series Five, adding an extra 18 or 19 seconds to the runnning time and making it harder to match timecodes with previous releases. It’s annoying that it has been slapped on every single episode, Series 1–3 didn’t suffer this indignity.
The previous Contender and A&E DVD releases didn’t seem to suffer from these problems, so I assume they either used soft telecine and preserved the original 24fps rate of the film (my preferred option in DVDs) or they used 24 @ 25 pulldown (2:2:2:2:2:2:2:2:2:2:2:3 Euro pull-down).
Thankfully, the new blu ray releases for series 4–6 appear to use native 24fps with soft telecine so the running times and pitch all seem to be correct again along with a much grreatly improved picture quality, most notably in the Tara King episodes which are finally back to their original glory.
Cast notes
- Ann Sydney was Miss World 1964 and a pop star of the time, often appearing on Shindig (in much the same way, Danger Man had a guest actor in Patsy Ann Noble for the episode “Not So Jolly Roger”).
- John Garrie was obviously thought to look Asian to casting agents of the time - he turns up in the final Danger Man production Koroshi as a Japanese character.