Series 4 — Episode 22
What the Butler Saw
by Brian Clemens
Directed by Bill Bain
Production No E.64.10.22
Production completed: January 7 1966. First transmission: February 22 1966.
Regional broadcasts
Broadcaster | Date | Time |
---|---|---|
Rediffusion London | 25/02/1966 | 8:00pm |
ABC Midlands | 26/02/1966 | 9:05pm |
ABC North | 26/02/1966 | 9:05pm |
Anglia Television | 26/02/1966 | 8:25pm |
Border Television | 26/02/1966 | 9:05pm |
Channel Television | 26/02/1966 | 9:05pm |
Grampian Television | 25/02/1966 | 8:00pm |
Southern Television | 26/02/1966 | 8:25pm |
Scottish Television | 22/02/1966 | 8:00pm |
Tyne Tees Television | 25/02/1966 | 8:00pm |
Ulster Television | 25/02/1966 | 8:00pm |
Westward Television | 26/02/1966 | 9:05pm |
Television Wales & West | 2/04/1966 | 9:05pm |
TV Times listing
8.25 The Avengers
starring
Patrick Macnee
as John Steed
and
Diana Rigg
as Emma Peel
in
What the Butler Saw
By Roger Marshall
In which Steed becomes a gentleman’s gentleman — and Emma faces a fate worse than death …
Cast also includes
Hemming | Thorley Walters |
Benson | John le Mesurier |
Group Capt. Miles | Denis Quilley |
Maj. Gen. Goddard | Kynaston Reeves |
Brig. Goddard Howard Marion Crawford |
|
Vice Admiral Willows Humphrey Lestocq |
|
Sgt. Moran | Ewan Hooper |
Sqdn. Ldr. Hogg | Leon Sinden |
Barber | David Swift |
Reeves | Norman Scace |
Walters | Peter Hughes |
Music by Laurie Johnson
Directed by Bill Bain
Produced by Julian Wintle
ABC Television Network Production
International broadcasts
Broadcaster | Date | Time |
---|---|---|
ABN2 Sydney, Australia | 12/07/1966 | 8:00pm |
ABV2 Melbourne, Australia | 5/07/1966 | 7:30pm |
ABC New York, USA | 28/07/1966 | 10:00pm |
ORTF2 France | 20/06/1967 | 8:00pm |
Suisse Romande, Switzerland | 11/02/1967 | 8:35pm |
French title | Les espions font le service | |
ZDF Germany | 18/04/1967 | 9:15pm |
German title | Butler sind gefährlich | |
KRO Netherlands | 19/04/1969 | 9:00pm |
Dutch title | Steed wordt butler | |
Italy (RAI 1) | 12/08/1969 | 9:00pm |
Italian title | Cercate il maggiordomo | |
Spain | 28/08/1967 | 4:10pm |
Spanish title | Lo que el mayordomo vio |
This was the last episode shown in the first series of 13 episodes in Germany. The Avengers returned three months later, on July 4 1967, with Honey for the Prince.
After this episode, Melbourne moved to showing The Avengers on Friday nights, so there were an extra three days before the next episode was seen on July 15 1966.
In Italy, What the Butler Saw was a stand-by programme when the first episode of Paoloa Ojetti’s highly anticipated Italian production of Rebecca was pre-empted because of extended coverage of Italian parliamentary debate. La Stampa reported the substitution thus:
Chi aspettava l’attore italiano al varco del confronto con Laurence Olivier nell’interpretazione di Rebecca è rimasto deluso. In apertura di serata c’era un’avventura della serie «Agente speciale» intitolata Cercate il maggiordomo. Niente de eccezionale, un poco di poliziesco e di giallo conditi di notazioni umoristiche in attesa di una speciale edizione di «Oggi al Palamento».
Whoever was waiting to see the Italian comparison with Laurence Olivier in the interpretation of Rebecca was disappointed. Opening the evening was an adventure from the “Special Agent” series, entitled Look for the Butler. Nothing exceptional, a little detective thriller seasoned with humorous notations while we waited for a special edition of “Oggi al Palamento”.
Episode Rating
Subject | 0–5 |
---|---|
Direction | 3½ stars |
Music | 4½ stars |
Humour | 4½ stars |
Intros/tags | 3 stars |
Villains | 3½ stars |
Plot | 4 stars |
Emma | 3½ stars |
Sets/Props | 3 stars |
Overall (0–10) |
7 stars |
A gritty drama as a turn about from the previous week’s fancy dress, and it plays out well. Fine performances by all involved, but it’s a bit staid.
The Fashions
Emma’s Fashions | Steed’s Fashions |
---|---|
|
|
The Cars
Marque/Model/Type | Number Plate |
---|---|
rowing boat | - |
RN motor launch | - |
Saracen armoured car | - |
Helicopter | G-ASHD |
Lotus Elan S2 | HNK 999C |
Austin Taxi | VGF 345 |
Who’s Killing Whom?
Victim | Killer | Method |
---|---|---|
Walters | Sergeant Moran V* | shot |
Barber | Sergeant Moran V* | stabbed |
Reeves | Sergeant Moran V* | bayonetted |
Hubert Hemming | Benson V* | shot |
Continuity and trivia
- 1:35 + 32:25 — The villains use a silenced revolver, which simply doesn’t work. Silencers don’t work on most revolvers due to the gap between the barrel and the cylinder.
- 4:50 — Pamela Davies plays the WRN, as evidenced by this newspaper clipping.
- 5:00 — the Admiral’s house set was reused as an Admiral’s office in A Funny Thing Happened On The Way To The Station.
- 4:50–13:30 — Steed disguises himself as three different officers - one for each force - to infiltrate the abodes of the suspects in the case, sporting different false facial hair and medals for each one.
He patriotically gives them the names red, white and blue.
My favourite is his RAF officer, all enormous curled moustache and “what ho! jolly good show!” accents.He later enrolls at the Butling academy run by Hemming and Benson and is sent to Group Captain Miles, dressed in butler’s garb
- 10:35–11:23 — There’s a hair stuck to the top edge of the transfer plate, from the location shot of the helicopter approach to Steed entering the house.
- 11:59 — Another Bond reference: In the scene where they parody the RAF’s love of abbreviations, SL Hogg asks, “Downgraded to double-O 7?” and Steed replies, “Upgraded to BB5”.
- 15:55 — Mrs. Peel has a telephone in her car.
- 17:10 — The picture of Emma in Miles’ bin is a publicity still from Man-eater of Surrey Green, the other photos of Emma are publicity photos.
- 19:50 — Patrick Macnee is replaced by a stand-in for the car ride and getting out to approach the butling school
- 22:15 — Steed’s references are from the Duke of Duffup, the Earl of Isley, & The Honorable Flegghorn. Benson checks them and finds they’re all the names of pubs (33:54).
- 29:14 — Shades of Get Smart as the officers climb into a polythene bag of silence to try to ensure complete secrecy.
- 30:45 — The enormous washing machine is a Bill Twenty.
- 31:32 — The photo of Steed is another publicity photo.
- 32:18/31:45 — there’s no way Hemming would ever have fit through the washing machine door.
- 34:34 — Obvious product placement for Bollinger champagne.
- 34:41+47:39 — There are significant streaks on the RHS of film.
- 43:22 — Steed catches the tail of his jacket in the car door.
- 47:45 — A brilliant bit of editing in the fight sequence, as we cut from the two stuntmen back to John vLe Mesurier & Patrick Macnee.
- The new DVD masters have a superb picture compared to earlier releases, but the PAL masters seem remarkably at odds with the old NTSC masters, as these two pictures below will attest - the new release is significantly cropped at the top and right of the screen.
Even more strangely, the test-run timecoded episodes had more visible screen area but nothing like the NTSC version, so something may have gone wrong in the DVD pressing phase AND not every scene is affected.
NOTE: This seems to have been corrected in the blu ray release.
- Running time: 49′46″
Where I have listed two sets of timecodes, the first is from the 2009–11 Optimum Releasing/Studio Canal DVD sets, any other timecodes are from the A&E and Contender DVD sets from a decade beforehand.
The new releases have been remastered and their frame rate has been changed, resulting in a shorter running time. However, the picture quality has increased markedly. I assume this is because they used a simple 2:2 pulldown (24 @ 25) when converting from the original film masters (film runs at 24 frames per second, while PAL runs at 25fps, the new DVDs are in PAL format).
This pulldown was also the cause of audio errors on many episodes, especially for Series 5, as the audio sped up to match the new rate (4% faster), rather than being properly pitch-shifted. Checking the dialogue sheets, which list the feet and frames of the reels, it looks like the speed change is around 5.04%, so there may be some cuts as well - probably from around the commercial breaks and ends of reels, as they amount to about 25 seconds. All my assumptions are based on the episodes having been filmed on standard 35mm film, which has 16 frames per foot and runs at 24 frames per second, so a minute of footage uses 90 feet of film (1,440 frames).
These audio errors have been corrected in the currently available DVDs, but the 2:2 pulldown remains. There is also the addition of a Studio Canal lead-in, converted to black and white to match the episode for Series Four, but colour for Series Five, adding an extra 18 or 19 seconds to the runnning time and making it harder to match timecodes with previous releases. It’s annoying that it has been slapped on every single episode, Series 1–3 didn’t suffer this indignity.
The previous Contender and A&E DVD releases didn’t seem to suffer from these problems, so I assume they either used soft telecine and preserved the original 24fps rate of the film (my preferred option in DVDs) or they used 24 @ 25 pulldown (2:2:2:2:2:2:2:2:2:2:2:3 Euro pull-down).
Thankfully, the new blu ray releases for series 4–6 appear to use native 24fps with soft telecine so the running times and pitch all seem to be correct again along with a much grreatly improved picture quality, most notably in the Tara King episodes which are finally back to their original glory.
Cast notes
- John Le Mesurier (Benson) is beloved by fans of Dad’s Army worldwide - he normally plays quite pleasant chaps, unlike his rôle here.
- Howard Marion Crawford (Brigadier Percy Goddard) - who normally plays unpleasant chaps - turns up again as The Sixteenth Duke of Benedict in The Living Dead.