• title card: white all caps text reading ‘SECOND SIGHT’ superimposed with a black drop shadow on a close-up of the face of a marble bust
  • Anstice listens with a pained expression to the opinion of Dr. Spender, who has his back to us
  • Dr. Hawn in the foreground wonders how to rid herself of Dr. Spender
  • The patient in the bed is wearing dark glasses and is completely wrapped in gauze... it could be anyone
  • Dr. Vilner prepares to operate, his anaesthetist at the ready beside him
  • Anstice stands behind Halvarssen with his gun drawn, interrupted before he can kill him; Halvarssen’s head is bowed

Series 3 — Episode 8
Second Sight

by Martin Woodhouse
Designed by Terry Green
Directed by Peter Hammond

Production No 3612, VTR/ABC/3033
Production completed: October 11 1963. First transmission: November 16 1963.

Production Schedule

(Episode 65)
Production Number : 3612
VTR/ABC/3033
Teddington Studio 1

Thursday, 10th October, 1963

Camera rehearsal 10.00–12.30
Lunch break 12.30–13.30
Camera rehearsal 13.30–18.00
Supper break 18.00–19.00
Camera rehearsal 19.00–21.00

Friday, 11th October, 1963

Camera rehearsal 10.00–13.00
Lunch break 13.00–14.00
Camera rehearsal 14.00–15.30
Tea break, line up,
normal scan, make-up
15.30–16.15
Dress rehearsal 16.15–17.30
Notes 17.30–18.00
Line-up 18.00–18.30
VTR 18.30–19.30

Running time

Expected: 51′25″ excluding commercial breaks
Actual running time with bumpers: 51′30″

The bumpers between the acts are generally 10 seconds from fade in to the “End of Act” bumper to the end of audio before the commercial, a 10 second still without audio, then cut to the next act bumper. This would play with the theme for around 10 seconds. Accordingly, with the episodes being in 3 acts, the running time of the action is approximately a minute less than listed above, minus the opening credits (normally 0′16″ with a 2″ fade) and closing credits (anywhere from 0′41″ to 1′20″, hard cut or 1″ fade or mix).

Equipment

Cameras: Five Pedestals, Turner Arm. Cameras 5 & 6 on rostrum. Camera 3 operator to go to Camera 6 for Act Two only.
Sound: Four booms.
Telecine: Opening film only and caption scanner.

Transmission

BroadcasterDateTime
ATV London16/11/196310.05pm
ABC Midlands16/11/19638.55pm
ABC North16/11/19638.55pm
Anglia Television16/11/19638.55pm
Border Television16/11/196310.05pm
Channel Television16/11/196310.05pm
Grampian Television17/11/196310.35pm
Southern Television16/11/196310.05pm
Scottish Television16/11/196310.25pm
Tyne Tees Television16/11/19638.55pm
Ulster Television16/11/19638.55pm
Westward Television16/11/196310.05pm
Television Wales & West16/11/19638.55pm
Teledu Cymru (WWN)16/11/19638.55pm
ABN2 Sydney26/05/19648.00pm
ABV2 Melbourne24/12/19647.30pm

TV Times listing

TV Times listing for November 16 1963, 10.05pm (London edition)
Sydney Morning Herald listing for May 25 1964, 8pm
The Age listing for December 24 1964, 7.30pm

10.5 The Avengers
starring
Patrick Macnee
Honor Blackman

in

Second Sight
By Martin Woodhouse

Cast

Dr. Vilner Steven Scott
Neil Anstice Peter Bowles
Dr. Even Hawn Judy Bruce
John Steed Patrick Macnee
Catherine Gale Honor Blackman
Marten Halvarssen John Carson
Dr. Spender Ronald Adam
Steiner Terry Brewer

The Avengers theme composed and
played by Johnny Dankworth
Honor Blackman’s wardrobe
designed by Frederick Starke
Settings by Terry Green
Produced by John Bryce
Directed by Peter Hammond

In which Steed fights in the dark, and Cathy exposes a millionaire’s precious light

ABC Television Network Production

Murders

Victim Killer Method
Hilda Brauer Steiner? drowned? (prior to episode)
Dr. Spender Steiner Strangled
Anstice Halvarssen Revolver (maybe)
Click a name to see the face

Continuity and trivia

  1. 2:01 — the titles have a drop shadow so they’re readable, superimposed on the marble head.
  2. 2:10 — the cameraman struggles with the focus during the introduction of Cathy and Steed; it’s not until 2:25 that things settle down.
  3. 24:37 — One of the crew exhales audibly, suppressing a cough, as Cathy goes back up the stairs.
  4. 28:24 — the boom microphone heaves into view at the top right of the screen as Anstice bends down to tell the ‘patient’ he’s letting the others in.
  5. 32:37 — we’re in Switzerland and there’s an English clock on the wall!
  6. 41:10 — there’s a vague shadow from the boom microphone over Halvarssen’s face in the mid shot.
  7. 42:17 — Hilda Brauer’s real name is Henrietta Miller.

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