The New Avengers, Series 2 — Episode 4 The Lion and the Unicorn
by John Goldsmith Directed by Ray Austin
Production details
Produced:May, 1977
Regional broadcasts
Broadcaster
Date
Time
Thames Television
29/09/1977
8:00pm
ATV Midlands
30/09/1977
8:00pm
Granada Television
29/09/1977
8:00pm
Anglia Television
29/09/1977
8:00pm
Border Television
30/09/1977
8:00pm
Channel Television
29/09/1977
8:00pm
Grampian Television
30/09/1977
8:00pm
Southern Television
29/09/1977
8:00pm
Scottish Television
29/09/1977
8:00pm
Tyne Tees Television
30/09/1977
8:00pm
Ulster Television
29/09/1977
8:00pm
Westward Television
29/09/1977
8:00pm
Harlech Television
30/09/1977
8:00pm
Yorkshire Television
30/09/1977
8:00pm
TV Times listing
I do not have a TV Times / TV Weekly or other contemporary British listing for this episode, if you have one, please get in touch.
International broadcasts
ABN2 Sydney, Australia
27/02/1978
8:30pm
ABV2 Melbourne, Australia
27/02/1978
8:30pm
ABC New York, USA
15/12/1978
11:30pm
TF1 France
28/07/1979
8:35pm
Suisse Romande, Switzerland
French title
Le lion et la licorne
ZDF Germany
German title
Eine königliche Geisel
KRO Netherlands
7/11/1977
8:25pm
Dutch title
De Eenhoorn
Italy
12/04/80
20:30
Italian title
Uno scambio difficile
Spain
16/06/81
11:05pm
Spanish title
El león y el unicornio
Continuity and trivia
Another Ray Austin, so another cast of thousands; the opening sequences of the car chase were lifted from a Rover commercial produced by Austin & Clemens.
10:40 — Obvious overdub of someone shouting, “Brilliant!” - it’s supposed to be Steed but definitely isn’t Macnee’s voice.
14:15 — if the Unicorn doesn’t drink, why is there so much champagne in his apartment?
16:40 — it doesn’t look like the Unicorn, perched on the corner of the table, could possibly have been in line with the bullet passing through the mirror.
This is the first of the French episodes and it’s easy to spot that the soundtrack for Marco’s part was originally in French.
Note the Qantas, Printemps, Kansai Yamammoto and Yves Saint Laurent product placement!
The Parisian car chase was intended to have a keystone cops slapstick feel, but is more Benny Hill (see enlargement).
24:07 — Script error or fluffed line? Steed says, “It looks suspiciously like checkmate” but I think that “stalemate” would be more appropriate.
24:20 — the flustered conte shakes Purdey’s hand and kisses Gambit’s