The street corner with the phone booth is unsignposted - presumably removed by the crew - except for the couple of seconds [2:50- 2:55] when Melville steps from the booth and walks off when it reads MACKENNAL STREET, NW8. It's gone again when Penman passes the booth at 3:00.
Steed very unsubtly checks out Rhonda from head to toe, both times she walks down the bus to hand him something.
Edgefield has a partially whited-out version of the painting from From Venus with Love on his wall [21:00]
Tara's strange phone call to Sir Joseph:
TARA: Sir Joseph!
SIR JOSEPH: Yes, Miss King?
TARA: This is very unimportant!
SIR JOSEPH: Well don't bother me now, I'm very busy
TARA: I don't want to warn you!
SIR JOSEPH: I beg your pardon?
TARA: Whatever you do, don't be careful.
SIR JOSEPH: Look, er, you're wasting my time Miss King
TARA: Sir Joseph?!
| Marque | Colour | Number |
|---|---|---|
| MGB | pale lemon | UGP 738F |
| Rolls Royce | pale lemon | KK 4976 |
| Morris Minor convertible | grey, brown hood | 600 CPU |
| London bus (707 to Piccadilly Circus) | post office red | OLD 666 |
| Rolls Royce Silver Cloud I | slate grey | GJJ 738C |
| Milk Float | off white | KWC 739 |
| Milk Float | off white | FGY 289? |
| Lotus Europa | red | PPW 999F |
| Victim | Killer | Method |
|---|---|---|
| Penman | Brayshaw | pistol |
Tara
|
Steed
|
