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The Episode Guide to Series 5B (1967) of The Avengers

Episode 18 - Death's Door

continuity and trivia
  1. 3:07 - This was the first episode produced without the "Steed does this, Emma does that" subtitles.
  2. 6:50-7:43 - There's colour shift in the close-ups due to back projection.
  3. 7:00-7:40 - Stand-ins were used in the actual driving shots & long shots, Patrick Macnee & Diana Riogg are in the close-ups with back projection of passing scenery.
  4. 7:24-7:42 - Steed swerves off the road down Spout Hill to avoid that white truck, which we see then pass behind them over his shoulder. A minute later, when they're discussing what to do, it passes them again - you can just see it over Mrs Peel's shoulder.
  5. 8:10-8:40 - Sir Andrew gasps "How did that get there?" when he hears the ashtray hit the floor. How indeed - it was on the coffee table in front of Steed only seconds earlier.
  6. 10:00 - The same newspaper as seen in "A Funny Thing Happened on the Way to the Station" is being read by Sir Andrew Boyd in the back of the limo with Steed. Note that both the front and back pages carry the same headlines.
    It wasn't the same page when first given to him by Dalby however!

    In Dalby's hand...

    Death's Door

    A Funny Thing...
  7. 10:00-10:35 - There's colour shift in the close-ups due to back projection.
  8. 12:30 - tall dark str. / back of car
  9. 15:01, 39:42 et passim. -

    Death's Door
    Mission...
    The same outsized desktop calendar as seen in "Mission... Highly Improbable" is used by the villains in their dream-inducing warehouse.
  10. 18:48-19:20 - There's colour shift in the close-ups due to back projection.
  11. 28:35-29:10 - There's colour shift in the close-ups due to back projection.
  12. 31:30-31:40 - There's colour shift in the close-ups due to back projection.
  13. 33:38 & 35:03 - We see a close-up of the target Becker is shooting at as Steed arrives (33:38), but when Steed goes to change the target we discover that none of them has the same pattern of bullet holes as first seen. (35:03).

    Before

    After
    ©1961-9 CANAL+IMAGE UK Ltd All Rights Reserved
  14. 46:02 et passim. - Diana Rigg does some of her own stunts in the fight scene and at the end of it (47:08) she's limping as she rejoins Steed. It's the kick at 46:56 that does it, a lot of the rest of the sequence is Cyd Child sparring with Terry Yorke.
  15. 46:32 - Patrick Macnee and William Lucas, however, have stunt doubles do all their dirty work except the close-ups that were filmed after the master shot was compiled.
  16. 46:50 - the order of the delegate placenames on the table changes during the fight sequence.
  17. Running time: 49'19"
A note on the timecodes
Where I have listed two sets of timecodes, the first is from the 2009-11 Optimum Releasing/Studio Canal DVD sets, any other timecodes are from the A&E and Contender DVD sets from a decade beforehand.
The new releases have been remastered and their frame rate has been changed, resulting in a shorter running time. However, the picture quality has increased markedly. I assume this is because they used a simple 2:2 pulldown (24 @ 25) when converting from the original film masters (film runs at 24 frames per second, while PAL runs at 25fps, the new DVDs are in PAL format).
This pulldown was also the cause of audio errors on many episodes, especially for Series 5, as the audio sped up to match the new rate (4% faster), rather than being properly pitch-shifted. Checking the dialogue sheets, which list the feet and frames of the reels, it looks like the speed change is around 5.04%, so there may be some cuts as well - probably from around the commercial breaks and ends of reels, as they amount to about 25 seconds. All my assumptions are based on the episodes having been filmed on standard 35mm film, which has 16 frames per foot and runs at 24 frames per second, so a minute of footage uses 90 feet of film (1,440 frames).
These audio errors have been corrected in the currently available DVDs, but the 2:2 pulldown remains. There is also the addition of a Studio Canal lead-in, converted to black and white to match the episode for Series Four, but colour for Series Five, adding an extra 18 or 19 seconds to the runnning time and making it harder to match timecodes with previous releases. It's annoying that it has been slapped on every single episode, Series 1-3 didn't suffer this indignity.
The previous Contender and A&E DVD releases didn't seem to suffer from these problems, so I assume they either used soft telecine and preserved the original 24fps rate of the film (my preferred option in DVDs) or they used 24 @ 25 pulldown (2:2:2:2:2:2:2:2:2:2:2:3 Euro pull-down). Let's hope the much-rumoured bluray release will revert to native 24fps with soft telecine so we won't have these problems again.
© Piers Johnson 1993-2011